911 Hip Hop

Confession time:
I am loath to admit this folks but the truth in the end can only liberate, disentangle knots in consciousness, heal cognitive dissonance... Here we go, I only got around to watching "The Lone Gunmen Pilot Episode" last night. After 2 years of researching almost any vaguely interesting WTC pop culture reference the spirit moved me to view this classic 911 sync wink for myself only yesterday.
In the Chris Carter (a 'dirty' KK) created series' first episode, aired March 2001 we see the 3 geeks, conspiraloons and computer hackers uncover a government (small faction) plot to hijack a plane, blame it on terrorists and remote fly the thing into the WTC (Pillarmids). This in an attempt to sell arms and justify attacks on rogue nations.
The scenario basically reflects verbatim the standard conspiraloon* Alex Jones type interpretation of what happened a few months later on September 11Th 2001. I suppose if pressed a share this basic view. I suggest however through the 911 Mega Ritual concept that the symbolism of the Twin Towers/Pillars/Pyramids and Pentagon/Pentagram point towards occult significance behind the choice of targets as well. For the most part I subscribe the effects and intricate elegance of the 911 Mega Ritual to the conscious universe and non-local intelligence embedded in the fabric of space/time. The Masonic flavored pillars and pentagon (present in practically any lodge) decodeable from the major targets of 911 does justifiably raise a few eyebrows and suspicions, but there are many ways of interpreting these elements...

*Conspiraloon in my mind is practically an affectionate title. I imagine in many peoples world view synchromystics are hard core conspiraloons. I would disagree as the more conspiracies I digest the less paranoid I become.
The clarity of of this sync wink drives many to suspect the shows writers of somehow having foreknowledge of 911. The whole affair being explained as an elaborate government psy-op or going even further into paranoia, believing it to be a display of supernatural (what ever that word means!) occult power and intent.
I certainly couldn't categorically rule out any of that stuff but see no reason not to attribute it far more pleasantly - while resounding with a lot less neurosis - to the very interconnectedness of all things, the very phenomena charted by synchromysticism.
In this model, Being or the no-thing beyond from, animates and is all we perceive, making itself known through the language of synchonicity and our attention. As talented creative artists tap into the source of all, the source of creation and creativity being the same no-thing, by necessity they would access and manifest great mystery. The very act of creation depends on allowing the source (consciousness itself) to flow through oneself. I whimsically call this opening the Stargate of Cosmic Illumination.
The really telling and fascinating dynamic at play in "The Lone Gunmen Pilot" is that the very creative narrative itself, accessed through the Stargate of Cosmic Illumination by the shows writers, is a foreshadowing of what I call the 911 Stargate Mega Ritual or the symbolic opening of humanities collective Stargate through the Pillarmid portals (WTC). It actually makes allot of sense that a key Stargate event (consciousness realization) of humanity would be picked up by our artists, openers of the Stargate of Cosmic Illumination. As frequent synchromystic readers/viewers would know our popular media is littered with pre-cognitive references to the destruction of the WTC. Could it even be otherwise? How would the 911 Mega Ritual be the massive consciousness altering force if it didn't interact with our consciousness in amazing ways? In fact it is only through the consciousness altering 911 Mega Ritual, speaking through these words and synchronicity, that your current awareness can even recognize what I am talking about! That is simply because you are the very force which moves/moved through the 911 Mega Ritual Stargate and animates my writing right now! How could YOU be here and now if you didn't already know this?

The clarity of of this sync wink drives many to suspect the shows writers of somehow having foreknowledge of 911. Consciousness waking up inside me and you as we read/write this is all and knows all.

Wow, that was fun. But its not all fun and games (yea right!) time to get to work.
A pivotal plot point sees the introduction of the Octium 4 chip, which eventually helps our heroes save the day. Oct or 8 resonates octagon a polygon often found in connection with Stargate sync winks and 911. The oct also connects back to Giza and one of the original pillars, the Great Pyramid.

The Octagon Maat website suggests a very interesting octagonal layout for Giza fitting all three major pyramids, snug. Could the octagon be the basis for the Giza layout?
The great pyramids '4' sides are also in actual fact concave, in reality making it 8 faced and sided. This all being echoed suc'sync'tly by the esoterically intimately related Dome of The Rock, the site connected to Solomons Temple, a structure possibly evolved from Giza.
Squaring the circle is the Freedom Tower, growing like the phoenix out the ashes of the the Twin Pillarmids on the island of Atum (Manhattan). This thing, as seen from above, is octagonal....
The Lone Gunmen uncover the exact government operation about to be implemented, involving airline hijacking, Scenario 12D.
O.K. deep breath, I'm going to flip that to D12 instead, now don't panic. Being, unlike the human mind, doesn't place things in strict categories and rigid prisons, 12D/D12 is as closely resonating of each other as can be imagined. We are investigating the meta-mind of our own consciousness itself through following synchronicity. Our noisy minds with their beliefs and opinions is not synchromysticism's concern.
Hip Hop (HH) band D12 entrain with the 911 Mega Ritual and Stargate themes in general. There debut album "Devils Night" was released in June of 2001, the Mega Ritual year, and most famous member Eminem has been sighted before in post AHA, MM is also K2! Marshal Mathers "Eninem" or MM is 2000 in roman numerals, thus resonating 2K.
D12 is known as the "Dirty Dozen" which is a classic 1967 war film directed by Robert Aldrich. Now it gets really interesting as we note that Aldrich also directed the original 1974 "The Longest Yard" with Burt Reynolds.
Look at the image of the the film above with Reynolds' fingers gripping the ball with 3 fingers per hand showing. This is the same setup as the 2004 "D12 World" album cover above.
We see a similar thing happen with the remake poster as Adam Sandler's fingers grip the football, left side 3 showing. Linking back to D12, the band itself, minus Eminem, act in the 2005 "The Longest Yard" along with Sandler.
The group (without Eminem) appear in 2005's The Longest Yard credited as "Basketball Convicts". D12 Appearances in film Wiki

Adam Sandler was much discussed and associated with the 911 Stargate in Opening the Stargate via Adam Sandler.
In "Click" Sandler uses a remote control to open a Stargate.
It whisks him away teleporting him through time and space (a visual Stargate metaphor as time and space are purely mind made) only to arrive at Twin Freedom Towers/Pillarmids resonating the 911 Mega Ritual.
Another film based on Robert Aldrich's "The Longest Yard" is 2001's (Mega Ritual year) Mean Machine.
Mean Machine gives us another MM/2000/2K. (Why am I going on about K2? See videos like Why 2K?)
I remember Goro Adachi highlighting this Steven Spielberg 2005 "War of the Worlds" poster and its 3 alien fingers as, in his view, associated with World War 3.

I see World War 3 or WW3 being likely the World Wide Web and its implied massive battle for the shape of our consensus reality (see WW3 Stargate Mega Ritual).
Without knowing it we are engaging in a opinion 'tug of war' for what constitutes the parameters of reality through the new media and communications technology provided by the massively interconnected emerging online meta-mind.

The "WE3" spinner gives away this potential as W rotated can become M or 3. Again, we need not imagine Being having any barriers when it comes to sync winks.

I would interpret the Martian alien hand as any anthropomorphic 'other' - such as Deity or Ancient Astronaut - simply cosmic consciousness or awareness of awareness beyond form.

RoboTut

I am reading the book "Tutankhamun The Exodus Conspiracy", pictured above, with most famous of all Pharoah's death mask inside a flaming Jewish Star on the cover. The writers unveil the intriguing evidence that Tut's burial chambers - one of the finest hordes of archaeological loot, like ever - were pilfered by its excavators Howard Carter and Lord Carnarvon. Specifically it is suggested that papyri containing details and hard evidence of the Egyptian Hyksos rebellion and expulsion, viewed by orthodoxy as the Jewish Exodus, was removed from Tut's tomb and suppressed. The book also explores the idea that proto-monotheist pharaoh Akhenaton, an older relative of Tut (different books tend to disagree on how they are related) was the actual Moses of the Bible. The specifics of which pharaoh was which particular biblical character seem splitting hairs as the logic of the old testament being an account of dynastic pharaohnic court and historical intrigue is profound and patently self evident enough to win our attention.

The Masons, who along with Christian, Jewish and Muslim faith share the old testament Abrahamic origins, retain the most overt Egyptian flavor in their symbolism and ritual.

While perusing these pages I went and saw "Iron Man" when the penny dropped.

Iron Man like King Tuts mummy also sees human flesh covered in a cocoon of metallic skin. Both protect the wearers form from degradation.

The act of covering or preserving the human form with hardier substances then flesh and bone unveils a psychology of attachment. Rulers and elites have a tradition of preserving there self image in carving, painting and statue. The most vivid and extreme examples of this neurosis of attachment to form being present in Pharaohnic Egypt with colossal self images and monumental efforts of preservation undertaken during mummification process. Great pains and mind boggling lengths have been undertaken to preserve seemingly into infinity the image or likeness of the Pharaoh. Of course nothing is for ever and most of these structures lie in ruin or decay.

Even the masses display this dynamic of obsession with the human form through expensive beauty and cosmetic treatments in life and coffins and headstones in death. The unconscious drive being the unfounded belief that through preservation of a form that you currently inhabit one can preserve the essence and achieve immortality. This highlights the key dysfunction of the human species, the belief that we are the mind - its thoughts and beliefs - itself or the ego's belief that form is our true nature.
We are the Being that animates the body and form. Yet the ego believes we are the shell and its thoughts. The true "Ghost in The Shell" is Being, but we often mistake it for the thoughts generated by the mind and the shape of the body. The ego is the robot of science fiction fame.

Correctly understood the potential is now to understand, or more accurately overcome, the ego's neurosis shown up by the myth of artificial intelligence. All inherently limited thoughts and forms that comprise our reality arise from the vast, infinite and unlimited no-thing or Being beyond all that 'is'. Stuff or things as perceived by the senses are the thinest of slither of the inconceivable totality. This is paralleled by the amount of form versus space in our perceptual universe. A fraction of 'isness' or stuff vs an inconceivable amount of distance/space between stars above or atoms below. Indeed even the 'stuff' ends up being intangible and pretty odd when looked at carefully, so it goes..

The word artificial intelligence implies that there are things which are not intelligent, plainly a big error. Synchromysticism tries to address this fault by highlighting the intelligence embedded in the obviously intelligent and inseparable environment of the observer, making plain that indeed environment (object) and perceiver (subject) are one continuum.

Thus all is already intelligent and the idea that rocks, symbols or computers are any different is again attachment to form and 'consciousness bias'.

Most humans at this point it would appear will only recognize or accept a non human intelligence if it appeared and behaved very much like itself. The only acceptable aware machine will think and look like a human.
The same can be said about extraterrestrial intelligences who must by convention and bias be humanoid or technological i.e. like us. S.E.T.I. isn't looking for life, all is life. Mars for instance even if free of bacteria or running water is, no doubt, an entity or 'life form'. They are actually looking for Earthlings with radio stations and television programs beaming into space. If we really penetrate the psychology we would learn that they are looking for themselves, with a giant radio telescope! All questing for 'other' finally in the end is the unconscious drive for union with self.
As technology - the very means by which you read this message right here right NOW - interacts with and facilitates the growing awareness of consciousness and as technology's often perceived destination is artificial intelligence (conscious machines) itself, we can safely intuit that the goal of realization of consciousness in humanity and technological singularity themes point towards the same event. The event often described here as the opening of the collective Stargate of humanity sometimes speculated as interacting with the posited 2012 Maya Mega Ritual.
Scene from Spielberg's "Artificial Intelligence" connecting the pivotal 911 Mega Rituals twin Pillarmids - major Stargate resonators - with evolution of technology.

Thus artificial intelligence is really just another metaphor for Stargate, this just being the implied consciousness already present in technology becoming aware of itself in that particular form. We can speculate that consciousness wakes up in fleshy humanity and in our machines, perhaps at the same time interacting in a beautifully non-local and elegantly orchestrated dance. Further perhaps the interchangeable Stargate resonance of artificial intelligence and human evolution suggest machines and humanity integrate, becoming a new life form. Of course this raises alarm bells if your identity is defined by your human form and could seem like the most unnatural* devious attack on self. I would suggest however that this process is already well under way since the very beginning of the use of tools and is the very same process that has allowed your consciousness to read this message through the internet intelligence you have embraced and are part of right here right NOW. We, as inseparable from Being, are already the machines many fear.
*Unnatural and natural are mind made devisions. All form is excreted from the Being or no-thing beyond form. K2, Giza, Cydonia, Your Mom, Kit Kat Chocolate Bars, Glen Beck, Sirius, Insane Clown Posse, Semen, Coffee, Crowley all emanate from Being or no-thing which is beyond understanding as understanding is a thing, dig? No matter if you don't, not understanding is a very good start.
Note Robocop's octagonal OCP logo (present in image on the police car door) and Orion studios. More on this later, flux willing.

The cocooning of Tut in inorganic matter (like the butterfly) to achieve cosmic consciousness unveils the symbolic evolutionary function of the mummification process. A strange but telling duality however is present and shows the extreme polarity of the ancient Egyptian mind. While being deeply magickal and spiritual, the mummy, the very egg of the transformation, was to be stamped repeatedly with the human form. The Pharaohs attachment to his identity - a necessary but now completed phase in development of consciousness in humanity - contrasted with his deep knowing of personal divinity allows us the opportunity to make aware this neurosis and bring balance to the same dynamic in our personal lives.
Akhenaton/Moses, the original monotheist, displays a related dynamic in his religious cosmology. Both a plethora of deities as well as a singular, through which one accesses the no-thing beyond from, is still a barrier or 'other' between yourself and 'God', that which you/we truly are. An amazing, vital and decisive step -Monotheism - on humanities journey towards the Stargate was instigated by those wacky Hyksos Pharaohs in the long long ago. We respect and acknowledge there holy help. We also note and humbly learn from there attachment to form and ego.

We bring our presence into this very moment, that which we already are. We who choose to dance in the external drama of increasing realization, now in progress, 'prepare' knowing all is already well and in its right place. Yet, like a plant goes through stages of development from seed to radiating flower, we assume the role of growing consciousness. Just a role, game or dance as the fulfillment is already achieved. A holy role as all that is perceived currently plays along.

There are way less spiritual or woo-woo! ways of saying all of this but its my current trip, best to ride it out...

Now for some incongruous candy syncs. (Not really, for Tut related candy syncs see The K2/Giza Candy Cane)

Madonna our main female pop deity or consciousness focusing star, shines her light and our planetary attention on candy. Her new album titled "Hard Candy", featuring the icon over a Stargate resonating spiral lollipop swirl background, strangely shares the name of a 2005 Ellen Page film featured a few posts ago.
What makes this really smashing is that Madonna is pop mother goddess 'numero uno', while Miss Page in her Academy nominated "Juno" (a Roman goddess) is strong current contender as another. Connecting the head scratching, food pyramid topping sweets theme, powerfully, to the mother goddess.
Noticed another candy sync wink on major new violent game release GTA4, see lady of questionable repute suggestively sucking on a lollipop directly below helicopter type chariot of the gods.

Question?
If all is conscious and awareness permeates every facet of existence, is it indeed true to state simulated violence or 'artificial intelligence violence' is perfectly harmless? Perhaps even a healthy expression or outlet for anger?

I will leave you pondering, while waving from my moral high horse... for now.

Be awesome.

Personal Stargate

In the previous post we investigated dinosaurs as connected to 911 and these big lizards also being symbols of evolution. As the extinct animals represent dramatic life stage change on the planet and 911 was just that - a pivotal life stage change marker - the dinosaur sync winks connected to the Twin Towers of Manhattan NY fit snug as bug.
The Twin Towers are symbolically interchangeable with Jachin and Boaz of Freemasonry and Solomons Temple. The portable Tabernacle and its successor Solomons Temple is believed to be modeled after Giza. If all is so, it is sound to view the Twin Towers as symbolically equivalent to the pyramids of Giza. (See 911 Stargate video for details)
The above statement addresses the WTC/Giza from a logical point of view, its conclusion I feel being sound, WTC as symbolic Giza is sound albeit fringe rational. Further however synchromystically we don't even need argue the point as pillars, mountains, towers and pyramids are in this system equal and the WTC as Giza a shoe in.
The logic of comparing two systems of symbols both involving twinned buildings that bookend human history need not be explained to the already sensitive, intuitively it resonates loudly enough.
The two stills above are from the recent Roland Emmerich film "10 000 BC". The film sees Mammoth type dinosaurs help build the pyramids of Giza in 10 000 BC, far earlier than traditional Egyptology would place said buildings construction (circa 2500 BC). We can posit by Emmerich's choice of subject matter in films "Stargate" and "10 000 BC" that he views untraditional explanations for Giza i.e. Atlanteans (ancient civilizations) or Ancient Astronauts - or a combination of both - as likely. Further the circa 10 000 BC construction of Giza correlates with popular authors Graham Hancock and Robert Bauval's alleged astronomically derived dates for Giza layout and possible construction.
Lynn Picknett and Clive Prince suggest however in "The Stargate Conspiracy" that Hancock and Bauval have potential - conscious or unconscious - bias influencing there work as Edgar Cayce and his affiliated interested parties also roughly correlate this date with Atlantean/Giza themes. My point only being to suggest layered vested interest and innuendo in picking "10 000 BC" as title.
Currently I myself feel the that Giza's construction seems out of place and anomalous as purely ancient Egyptian. I am however dubious about the traditional alternative explanations (Ancient Astronauts and/or Atlanteans) and specific dates as they suggest unhealthy reliance on outside context and other. I feel Ancient Astronaut and Atlantis implies and unconsciously symbolizes 'other' instead of the spiritually grounded outlook of 'self'. As Atlantis and Ancient Astronaut are strong resonators of the Stargate of cosmic illumination I would suggest that the truth lies more in understanding the ecstatic experience as the force that built Giza. The tendency to attach knowledge of Being and Illumination onto an 'other' form (gods, angels, aliens) is an old problem resulting in all the crazy religions running amok on the planet.
Giza then becomes a natural object excreted by the universe, more then likely through human hands. It seems to be a prehistorical human ant hill or beehive, its function relating to mankind's decent into history (thought and from) and eventual liberation from the cocoon of time and space.
The placement of Giza (with its 2 pillars portal) at the start of mankind's divinely necessitated phase called history, which came to a close on 911 (with its 2 pillar portal) reveals a non-local intelligence - but by no means separate! - directing the phases of the human organism as it climbs towards the Stargate of cosmic illumination.

Is this process our collective liberation from the veil of Maya, symbolized by the 2012 Maya theme? Something worth pondering from time to time...

I heard or read Echart Tolle talk about how the impermanence of forms or constant flux and change of all that is, is more obvious in natural environments then in man made landscapes like cities. The illusion that objects are solid and permanent is more concrete when you live in buildings and drive on roads all day. Plants and animals come and go at a greater rate then seemingly solid human excreted stuff.
On 911 this illusion was tested and found wanting in the most vivid fashion imaginable, waking mind up to the fact that even American built giants of commerce and industry can be wiped out in an instant.

Anyway, we have dinosaurs building Giza in "10 000 BC" and we also saw dinosaurs all over the Twin Towers in the previous post. Suggesting yet again Giza as connected to the WTC and the evolutionary function of these structures.

Just for fun and as we have started down this road of association lets go over "Escape from New York" and "Stargate" one more time.

In 1981's "Escape from New York" Kurt Russel flies towards the Pillarmids of the 911 Mega Ritual, he eventually actually lands on top of a Tower.
In 1994's "Stargate" Russel is the first human ever through the - buried in ancient Egypt, but constructed by Ancient Astronauts - Gate, Portal, Wormhole. All these time and space distortions in media are just simply symbols of awareness of awareness, the Being which animates the present moment becoming - in our case, through humanity - conscious of itself.

I have been somewhat reluctant to include my personal narrative into the synchromystic work that flows through me. The potential attachment to attention (Ego) received through the growing interest in what I do has tended to make me nervous (just fear, which is also Ego) and showing the connections to my personal life i believed might vivify this dynamic. Yet not doing so might exclude valuable context and could even result in the ego finding a new expression as "humble unassuming me" or "little old me, who could care about me?". Therefore I am letting go of attachment to any form of what constitutes my personal self and relating any and all sync winks whether of a personal or pop-media related nature. The synchromystic finds synchronicities through paying attention, he/she is attention. No attachment should interfere with where attention leads itself.

Kurt Russel's birthday, as is my own, is 17 March, Saint Patrick's day. Christopher Knowles at the Secret Sun relates that this festival date likely stems from - at the very least synchromystically resonating - veneration of Osiris as:
"In Egyptian mythology, Osiris was killed on the 17th day of Athyr, the third month of the ancient calendar."
The (Not-So) Secret History of Saint Patrick's Day

So we have in Kurt Russel resonator of our 'father in heaven (space)'/Osiris (note in the OS/OZ in Osiris) flying towards the Pillarmids who is at the same time humanities first ambassador through the Stargate.
Further entrainment with the 911 Mega Ritual - mankind's wake up call (note the 911 emergency call number sync wink to the September 11th event) coming through Stargate - and Kurt 'Osiris' Russel comes in the form of "Executive Decision".
"The movie is similar to the 9/11 attacks as it depicts a novel idea of aircraft hijacking with the intention to use the hijacked aircraft as a suicide weapon to inflict massive casualties, as opposed to the conventional purposes of taking hostages in return for ransom or other demands. It was released over 5 years prior to 9/11/2001." Wiki on Executive Decision
A pivotal scene sees the protagonists attempting a novel mid air boarding with an experimental government aircraft. The connecting dock through which Kurt Russel, John Leguizamo (who interacts with a KK sporting Twin Towers and dinosaurs in "Super Mario Bros", see previous post) and Joe Morton (Miles Dyson from T2) board the hijacked 911 resonating 747, connects at a spot under the plane bearing a Double K resonating CK/KC.
Most interesting is the airline name of the plane. Oceanic Airlines, the disaster prone fictional film and television in joke carrier, as also seen on "Lost". This connects 911 yet again to the "Lost" island (being synchromystic Manhattan and OZ) in a most intriguing manner... (See the Comic Book Cycle Parts 5 A and B for "Lost" details)
Tunney Time:
In "Darwin Awards" (resonating evolution) Joseph Fiennes and Winona Ryder investigate untimely deaths.
They leave Nevada by plane passing the Luxor Hotel complete with pyramid sphinx and obelisk. Literally mere seconds pass of real time and we find them interacting with "Stargate Queen" Robin Tunney! (See Tunney Trilogy and Jesus and Robin Tunney at the Cafe Paparazzi for some context)
Tunney (a lady friend mocked me the other day saying "Oh, your movie girlfriend") is also wearing green the color of Saint Patties or Osiris.

Sync winking from the back is a glowing Kris Kringle (KK/2K/K2) spreading its holiday cheer. Christmas is the day, according to tradition, that Jesus was born. Jesus in my current world view is a proto-Freemasonic opener of the Stargate (ecstatic contact with the divine) singled out as major Messiah by Grace. Similar in many respects to Buddha, Crowley and Echart Tolle there function in society is to facilitate and instigate the process of awakening, now in full swing as you hear this. How indeed could you even be reading the message of synchronicity and consciousness if it was not so? I certainly would not be writing this stuff without the influence of these groovy cats.. They were rare flowers heralding the current blooming of the entire forest.
Another small facet of a Stargate realizer is being a flesh and bone tube with food coming in the one end and shit out the other, lets try to keep perspective...
The Darwin investigator Ryder eats a hotdog while playing match maker between my 'movie girlfriend' Tunney and Fiennes. I don't currently remember where on the vast concreted mind of God (the net) I found this image (below) but it syncs the Pillarmid portals of Being, Isis Liberty and a bright sun with a hotdog being heated over the Illuminating torch. I believe this is another pre 911 sync wink, anybody reading this with more info or a translation? Hotdogs were noted once before exiting a cornucopia in the Thoth Duck video.
In 1998 on Christmas eve I showed up in Margate (note the Star(gate) resonance) with school friends for summer vacation. I had been taking LSD practically every weekend for 6 months. Me and one co-space cadet decided to take more then ever before and let the chips fall where they may. Believing ourselves to be seasoned users, the cosmic giggle and all seeing eye was about teach us a valuable lesson about the true depth of the psychedelic experience. Black market drugs... who knows what dosage we really took, maybe even the perceived intensity of my journey was the very shallows of the infinite ocean of Being.
I was never to be the same individual, my reality splintered and time fractured. At points I was being recruited by what I perceived as non local discarnate Illuminati agents communicating through my friends and environment, selecting and propositioning me for membership. I thought this sheer nefarious madness and proceeded to puke all over myself. It was the best (unimaginable vistas of bliss and joy) and worst (pain, emotional torture, conviction of permanent brain damage) time of my life, spanning through the 24th and 25th December.
This Particular Circle formed/made 1st August 2007 on Sugar (Candy Stargate theme) Hill. It arrived while I was hunting them and it was the 'freshest' circle I was privileged to enter while investigating.

Last year I visited Ben Fairhall to investigate crop circles for 5 days. Some of the Crop Circles that year displayed hexagons and cubes, shapes I had been fascinated with and had spent much time, prier to the trip, blogging about (see videos like Contact With Higher Intelligence and the Saturn Hexagon). I imagined the circles were synchromystically entraining with my personal development narrative or individual life story.
Further I decided I would journey to the environmental complex the Eden Project (read about it at first at Todd's Through The Looking Glass) in Cornwall, after viewing circles, because of an interest in Geodesic Domes (invented by Buckminster Fuller who believed in Contact with Higher Intelligences), Hexagons and noting the attractions opening date of 17 March 2001 (my birthday/ Osiris day and year of the Mega Ritual).
That night after much speed (only did that once, yikes!) and a little hash, without expecting or consciously encouraging, something spoke to me as I lay in my tent...
I hardly care whether it was a facet of my mind, extraterrestrial, Egyptian God or super intelligent computer from the future. It was infinitely knowledgeable about my personal life and could highlight at slightest request events obscured by time and ad new and fascinating perspective. Much was discussed but of particular relevance to things already addressed here the voice inside me claimed the symbolic significance of my Christmas Eve Margate experience was related to my Christian background and Jesus. I was born again after experiencing ego death on Christmas day. No doubt, not exactly what my parents had in mind when raising me in their faith.
The entity (what ever it was, certainly a facet of Being) told me my fear on that day had caused some bugs in the download, it would then be happy to fix the problem. I asked it if it was affiliated with the same Illuminati thingemagicks from the previous encounter, which it confirmed, admitting the vast almost limitless personal interpretations human mind gives entities such as itself. Indeed it seemed to matter little to the voice what it 'is'!
I was healed and told to continue as I have been up until then, following my bliss and helping realize consciousness... No problem, fine thingemagick, I couldn't fuck up even if I tried. Everything is always in its right place.
Newish flick "August" staring Josh Hartnett centers on events during the month before 911, hence the title. It's poster sports the 911 Mega Rituals twin Pillarmid portals and the movie is also graced by Robin Tunney...
More, Grace willing, as things flux.

Be spectacular!