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    Saturday, December 29, 2007

    Grey's Anatomy

    "Sophia" by Alex Grey

    I happily received my Alex Grey year calender from my best friend, 3 years running this X-mas. Combined with this gift and yesterdays perusal of Christoper Knowles blog (Secret Sun) article "Nine Eleven Ten Thirteen" I was influenced to write this post.
    Actually everything influences everything else, but to make reality cognisable we edit it into a convenient narrative.
    Mr Knowles investigates the most classic of all 911 sync winks, the infamous "Lone Gunmen: Pilot Episode". Second only, in my mind, to excellent rap outfit "The Coup's" 2001's pre-911 "Party Music" album Cover.
    The original album cover art depicted group members Pam the Funkstress and Riley standing in front of the twin towers of the World Trade Center as they are destroyed by huge explosions; Riley is pushing the button on a guitar tuner. The album's planned release date was just after the events of the September 11, 2001 attacks, and the cover art was withdrawn hastily. The cover art was finished in June 2001; there was no connection between the band and the attacks. The album release was held back as alternative cover art was prepared. (Wiki, The Coup)

    The Coup - Ride the Fence


    Great track "Ride The Fence" (video above) from this millennial album further entrains with 911 in this manner.
    We see the Giza/Dome of the Rock/Freedom Tower octagon. (See Goro Adachi for the octagonal theme origins)
    The emergency telephone number 911 with the line "911 calls the Antichrist". Nothing spooky here. The Antichrist is simply a stargate (as Lucifer, light bringer, 666, Venus or the Sun etc) symbol, dark flavoured but actually quite harmless.
    I believe the elegance and magick with which these symbols entrain with stargate events like 911 is due to the underlying consciousness of space/time or NOW. Consciousness beyond thoughts and things, which indeed gives rise to the relatively small facet of life we call things or stuff. That with which our current culture is obsessed, the object (ignoring the inseparable subject). Leading to insanity such as mental separation of self from other, commonly know as ego.
    Alex Grey's 1989 painting "Gaia" shows two opposing facets of earthly existence separated by the Tree of Life. On the side representing life out of balance our visionary artist chooses to represent the decadence of humanity through the smoggy skyline of Manhattan Island complete with the 'Twin Pillarmid Stargate' and two jet planes. Its amazing to contemplate how this scene has already changed post 911, symbolising to me the re-awakening of consciousness in humanity or birth of the godhead into matter. Notice also the grid symbolism present in Crowley's "Book of The Law" "Grid Page" adding OZ/77 flavour. (See Tunney Trilogy and 911 Stargate) The life in balance side (above) again synchromysticly entrains with the pillarmount (WTC Tower as Mountain (K2)) theme explored at lenght recently in these pages. Three major mountains can be seen resonating Giza. A perfect juxtaposition to the WTC pillarmids.
    On the dark, death and 'modern era' side's top half we see the Saturn planetiod. The planet which keeps synchromysticly popping into the 911 Stargate Mega-Ritual sync web with its Omphalus resonating polar hexagon.
    Proving the point yet again we see a pre 911 Sega Saturn console standee with Manhattan Island (the Pillarmids present and accounted for) destruction theme.
    Creative artists like Alex Grey and The Coup open the stargate of cosmic Illumination becoming agents of consciousness in varying degrees. They entrain with and realize the stargate object at the end of space/time and history. All creative pursuits will bear this resemblance by its very nature as emanating from consciousness itself. The message might be encoded obscurely and dark flavoured like The Coup's "Party Music" song "Ride the Fence" or elegant and more overt like Alex Grey's "Gaia" painting.
    Either which way the story is the same.
    For more musings about artists synchronizing with stargates see K2 Candy 3
    "Namaste" by Alex Grey

    Friday, December 28, 2007

    Green with Syncnificance

    There are many incarnations of the Green Man, the O.G however as far as I know is the reincarnating sun metaphor (think Jesus/Horus and Hiram Abiff) Osiris.

    The Resurrection theme is present in many of the independent figures linked to the green man. Foliate heads, and masks have served as images for Rome's Bacchus, Egypt's Osiris, Greece's Dionysus, Britain's "The Green Knight" and Jack in the in all of these separate artistic representations of foliate heads, with similar death/rebirth themes spanning millennia of time in Europe, North Africa, and Asia. (Wiki)
    Jim Carrey has played the green man three times by my count. First as a modern magical Loki in 1994's "The Mask". (Thanks Violator and Soundlessdawn for Carrey leads, see comments of Armand Van Helden post)
    One year later he's dancing (with much prancing) around K2 mountaineer Chris O'Donnel ("Vertical Limit") in "Batman Forever". (See "Tunney Trillogy" for O'Donnel K2 syncs)
    The theme peaks in 2000's (K2) snowy mountain featuring Ron Howard film "The Grinch". See previous post (and Al-Noah) for more Carrey sync winks.
    This theme could heat up even further as we learn Carrey stars in another upcoming Dr. Seuss story "Horton Hears a Who".

    Tuesday, December 25, 2007

    Armand Van Helden (Amended)


    Armand Van Helden - Funk Phenomena 2K



    Music producer and club scene remixer Armand Van Helden's song above again displays the 2K/K2 theme. This is a remix of the titular track of the 2003 "Funk Phenomena" album.


    On the millennial (thus 2K/K2 resonant) 2001 year (and the time period of the 911 Mega-Ritual) Van Helden brought out Gandhi Khan. The cover sees our DJ sitting behind "the wheels of steel" inside a triangle. A creative eye might spot ways in which the background cuts the triangle into a capstone. Khan connects with KK through Kublai Khan land owner of the K2 pyramount itself. (see Why 2K?)

    The Wrath of Farrakhan - Star Trek parody


    Jim Carrey cut his comedic teeth in the often hilarious "In Living Color". In the clip above he takes on the role of James T. Kirk encountering Farrakhan spoofing "The Wrath of Khan", most folks favourite Trek film.


    Carrey can be seen on the mother of all Himalayan peaks, Everest, encountering Morgan Freeman as God. Connecting Holy Mountains and Khan through this actor/comedian.

    Steve Willner forces this most relevant addition by pointing out Carrey as "The Grinch" in 2000's (2K) film version of the classic Dr. Seuss Christmas tale. In the movie Carrey, as green man (thus Osiris resonating), lives on a snowy mountain peak which also sees the climax of the narrative. Thus adding more mountain resonance and K2 flavour...

    Armand van Helden - Koochy



    Armand uses a sample from 80's classic "Cars" by Gary Numan in "Koochy" from his 2000(K2/2K) album "Killing Puritans". In the video we see the enigmatic use of Logan's Run's 'Box' a crazy killer android.
    Micheal York (recently spotted inside the Kit Kat (2K) club with Liza Minnelli in "Cabaret" (image above)) kills the menacing freezing (Mr Freeze resonating, see Tunney Part 3) machine and escapes to the ruined mall of post apocalyptic Washington DC. Box has a large X on his casing making him an Xbox resonator (this is acknowledged on his wiki page).
    On your Xbox you can sit down and enter the conspiracy world of "The Da Vinci Code" or the underwater Atlantean themed city of "Bioshock" created by developer 2K.
    The charming song below hypnotised me into doing this quick Armand Van Helden investigation.

    Armand Van Helden - Hear My Name