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    Wednesday, May 14, 2008

    K2 and the 2012 Maya Mega Ritual

    I read Ralph Ellis' book "K2 Quest of the Gods" - in which he decodes the Great Pyramid as a world map, highlighting coordinates pointing towards K2, the second highest mountain on Earth and as is my habit, tried the theory out on the sync web. The sync web is all the interconnected data in the universe made increasingly visible, vivid and tangible by the internet (web), personal taste and familiarity tends to result in me looking for syncs in media and pop-culture. I've seen allot more movies and read more comics then studied strange occult doctrine and complex metaphysical attributes.
    No doubt there is great sense in using old systems such as Kabbalah, Tarot and Astrology to investigate the resonance of a subject but most of us are far more immersed and versed in entertainment, why fight it? Aren't we practically expert consumers of film and media in this day and age.
    Can we instead of being entranced by pop, turn the medium to our advantage? Can synchromysticism become a system or tool of investigation on par with ancient occult sciences? This method of using synchronicity as investigative tool has indeed been birthed and is in no way shape or form separate from these divine systems of magick.

    The first red flag sync about K2 not mentioned in Ellis' book comes in noting Aleister Crowley was the first person to attempt a serious, albeit doomed to failure, ascent of this most challenging of all Himalayan peaks. Further we take note that Crowley would one year later be meditating inside the Great Pyramid an event intuitively seemingly intimately tied to his receiving of the "The Book of the Law" in Cairo through his wife and an entity called Aiwass an emissary of Horus.
    *Ellis suggests Great Pyramid as map pointing towards K2, Crowley climbed K2, meditated inside Great Pyramid and received "The Book of the Law" . What gives?

    My starting point in synchromystic research for the topic was obvious, the only two Hollywood films about the subject, K2 (1991) and Vertical Limit (2000). "K2" stars Michael Bhien, interesting already as he plays Kyle Reese in "Terminator", Hicks in "Aliens" and Lt. Hiram Coffey in "The Abyss" (indeed a bit of a James Cameron institution, he is). This all starts pointing solidly to heavy Stargate (cosmic consciousness) resonance as Reese is a time traveler (opener of a synchromystic Stargate) and both "Aliens" and "The Abyss" involve E.Ts. Synchromystically aliens as space travelers are symbols of the Stargate, beings from the stars, in reality Being (our true nature) itself.
    Note the pyramidal K2 being most centered over Tunney's head. The helicopter is our flying synchromystic chariot of the gods.

    2000's (resonating 2K already!) "Vertical Limit" gets the synchro juices flowing as we meet and discover the Stargate Queen herself, K2 mountaineer Robin Tunney. Tunney climbs the mountain along side another 'Robin' Chris O'Donnell of "Batman and Robin" fame.
    Because I was looking into Arnold Schwarzenegger (Mr Freeze in "Batman and Robin") at the same point as K2, the fascinating overlap between the Terminator himself and Robin Tunney in 1999's "End of Days", where Tunney is to be the vessel for the Antichrist through Arnold's possessed seed, warranted in my mind a closer look into Tunney's movie career, an event which would lead to three videos on the subject "A Tribute to Robin Tunney". I will briefly highlight the most vivid synchromystic associations found connecting Tunney, in other films rather then the overt "Vertical Limit", back to the K2 mystery.
    Note that the book resides in a grid design type book shelf. Keep this in mind when we view the "Zodiac" poster.

    In "The Craft" Robin enters an occult book store to risk dabbling in the dark arts with her new friends only to be spotted in frame with a Crowley derived Magick titled book (possibly "Magick in Theory and Practice" itself!).
    *Tunney a movie K2 mountaineer, the same mountain first climbed in 'real life' by Crowley, interacting with Magick!

    In "End of Day's" Arnold Schwarzenegger must stop Satan from inseminating his destined vessel of the Antichrist, Robin Tunney. These events transpire coincident with the millennium or 2K celebration.
    The NY2K logo is seen throughout the proceedings notably when Arnold as Jericho Cane (this name is shared by The Rock in "Southland Tales", more on this later) is dangling from a helicopter flying in the direction of the WTC.
    Its is seen again during the first shot of Robin Tunney entering the narrative (above). I have speculated that the 2000 (2K) millennium celebration was part of an awakening process that humanity is experiencing. It was only the warm up to the massive consciousness focusing event of 11 September 2001, the 911 Mega Ritual or the symbolic opening of humanities Stargate of cosmic consciousness. (See "The 911 Stargate" and "Island of Atum" for more context)
    *Robin Tunney interacting with 2K and the WTC Pillarmids in "End of Days".

    Now I ask a major leap in 'original context disassociation'. The same dynamic applies with all esoteric and fringe subjects. The true depth of Being beyond form can be perceived through letting go of attachment to belief systems. It is this sacrifice of point of view and trust in the benevolent groundless freedom of 'no belief', that allows true insight. A show of good faith in the universes consciousness surrendered from the ego allows advancement in understanding.

    Tunney stars in 2005's "The Zodiac", based on the infamous serial killer. The name evokes the celestial realm and suggest the perceivable cosmos itself as the resonating force at play, deep shit. I was looking for all the "Grid Page" elements contained in "The Book of the Law", reasoning that synchromysticism might shed light on this mystery. Crowley believed that there was a coded message from higher consciousness hidden in the 'received' (coming through the Stargate) text.
    *I intuitively assumed if I followed Tunney's films, considering her singular Crowley resonance, I would stumble upon all the elements found on the "Grid Page". On the Zodiac poster we see just that; the grid, target and diagonal line in close proximity with her name.
    The ZO of Zodiac also brings Liber OZ or 77 Pan into play as associated context.
    This in my mind vivifies, solidifies and confirms my belief that by researching Tunney's sync web as connected to Stargate themes the universe is ready to 'spill the beans' on an old mystery.
    Tunney: Gnosis or Neurosis?
    Why in the world this particular actress should be singled out for this process is beyond my discernment.
    I am aware of potential neurosis, taking into account the arguably obsessive nature suggested by this line of inquiry. The personal context of "I am single, 26 years old with no trace of a mate in sight" is taken into consideration and admitted for clarity I might be lacking.
    In defense of my 'character' I would put it to you that I am actually most often quite self aware and humored, finding myself laughing with joy at the outrages nature of what I do. I feel moved to do it beyond personal concerns and can't account for all the facets and levels of complexity discerning between my form identity entanglements and ever increasing awareness of Being moving through me.
    I feel as things progress the process I/we are undergoing will become more clear. I also feel far more alive and vibrant then when I started writing about synchronicity 2 years ago. I hope a few of you who have been following these ramblings closely have undergone a similar process. Beyond Tunney and any concept of the Stargate there is the Being which has no form, if my method if attaining union with this force steps dangerously close to disease I trust you will forgive me until I heal. More than likely however I am just flirting with the idea of being a bit of a 'nutbar' as some form of last ditch effort in retaining identity. This to will pass...
    (Some detailed Tunney in Z is for Zebra and personal Tunney in Jesus and Tunney at Cafe Paparazzi)
    The 1993 "Super Mario Bros" film has a partly destroyed WTC, foreshadowing 911 and displaying the KK or K2 in neon over a Pillarmid. This connects the September 11Th events to the K2 mountain mystery and enriches the theory of WTC as symbolic Giza.
    Below we see a still from Futurama episode "The Deep South" containing the KK. The context here being the underwater city of Atlanta, lampooning and thus resonating Atlantis. I view the Atlantis story as likely obfuscated Giza history and secret knowledge, the pillars of Atlantis resonating Giza's pyramids and the 911 towers. This still also suggests the Atlantis story as connected to the K2 mountain.
    Another way of playing with K2 is to note K as the 11Th letter in the alphabet. K2 is then 11 11, resonating an interesting recurrently noted synchronicity, the constant repeating of running into a clock face displaying 11:11. This has been happening increasingly to me, making me pay more attention to this usually dismissed sync wink, bad form but its not to late to give it its due.
    Simple but powerful sync, Wayne Brady in "30 Rock" above spotted with loudly in frame sync winking 11:11. Briefest of sync web research (i.e browsing his performance log on IMDB) reveals he has stepped through the Stargate itself! Beautiful and suc'sync't.. (See 11:11 Stargate Sync for original post featuring Wayne Brady)
    One last facet already explored by The Blob about K2 is how MM in roman numerals becomes 2000 or 2K.
    This connects musicians Marilyn Manson (logo above) and Eminem (Marshal Mathers/MM) to the phenomena. While also hinting that endless MM's (think MM candy (and Kit Kat chocolate)) like Marilyn Monroe and Mary Magdalene are somewhat resonating with the K2 sync web. (See posts like AHA! for more on these singers and Sweet Thooth for K2 Candy themes, the recent 911 Hip Hop saw Eminem's D12 added to the music mix)

    Fine and well, but thats all old hat, but good context for what is to follow...
    John Major Jenkins unveils the idea that many ancient cultures including the Maya had knowledge and awareness of Galactic Center and our impending 21 December 2012 solstice alignment -apparently precisely at 11:11 - with this area of the milky way.
    This of course is the same date eventually settled on by Terrence McKenna for his eschaton or encounter with the object at the end of space/time, unveiled through patterns in the I-Ching as suggested by entities perceived on entheogenic mushrooms (in my conception this is Stargate communication).
    How intriguing that this exciting topic, on the lips of the majority of esoteric researchers becomes connected with the K2 mystery and synchromysticism.

    "Furthermore, could global weather changes as well as the intensification of synchronicities and anomalous experiences that many people are increasingly reporting be an effect of alignment with Galactic Center?" John Major Jenkins in the introduction to "Galactic Alignment"

    In my world view the eschaton and Galactic Alignment is just another way of understanding the great awakening of consciousness undergoing in the human entity on planet Earth. It makes gorgeous intuitive sense that the elegant universe formed by Being beyond form would reflect its awakening into conscious knowledge of itself in the material realm by significant conjunctions or patterns with key parts of itself, in this case our star and the center of its own galaxy. Even the flamboyant language often used here to express what is simply awareness of awareness, such as 'Being moving into humanity though the Stargate of cosmic illumination' fits snug with this external phenomena of the illuminating sun aligning with the heart of the galaxy. External events in the phenomenal world, the entire perceptual universe, are the thinnest of shell or shadow cast by infinite depth of no-thing.
    'Stuff' (objects in space and thought movements in the mind) reflect directly the state of consciousness, consciousness being the 'format' of the universe. When you watch a movie you are not consciously aware of the format it is running on while taken in by the drama, in this case film passing at 24 frames a second. However the entire experience relies on the format the drama of film is captured on. The universe and all that is also has a 'format', consciousness or awareness. This consciousness is undergoing the process of realizing itself through you and me, right now.

    The 2012 theme has the potencial of becoming, like the 911 Mega Ritual, a massive consciousness focusing event. "Where were you when 911 happened?". In this case however we have foreknowledge of its approach. The 2012 Stargate Mega Ritual has no meaning or import unless understood as an external dance or drama, ritualistically undergone for closure of the beautiful game we are engaged in. 2012 will not to fulfill or complete you. You have always been consciousness, fully fulfilled and whole. 2012 can be the universes way of helping us let this realization - this end of Maya - sync in...
    This half snake dude above is Ketu, from Hindu mythology. In "Galactic Alignment" Ketu is explained as representing the southern lunar node, often also portrayed as a knotted fish or serpent tail, which is in proximity to Sagittarius the Archer. Scorpios' stinger and Sagittarius' arrow points directly at the position in the sky of Galactic Center. The tail represented by Ketu forms part of a visual dragon or serpent imposed by ancient astronomers in the heavens. This image is further associated with what I understand as a Kundalini serpent emanating from the center of the milky way, connecting us with the galaxy's subtle body. (See "Galactic Alignment" Chapter 6 "Islamic Astrology and the Lunar Dragon" for details)
    Our DNA and spinal column, our planets polar pillar or world tree, our solar systems and galaxy's "Cosmic Serpent". All fractal self similar representations of interrelated micro/macrocosm 'as above so below' resonating entrainment systems.
    Ketu which points towards Galactic Center also resonates, in sound, K2.

    Above is the Mayan "Izapa Stela 11", depicting a First Father solar deity (One Hunahpu) being reborn from the mouth of the Cosmic Frog deity. John Major Jenkins explains in "Galactic Alignment" that this stone carving which faces the December solstice sun depicts the 2012 Galactic Alignment. Firsts Father with his outstretched arms is the solstice sun while the Cosmic Frog's mouth represents the dark rift of the Milky Way an area near Galactic Center. (P18 Galactic Alignment)
    In "The Fountain" Rachel Weisz (Izzy) explains to her husband Hugh Jackman (Tommy) a Mayan creation myth where First Father sacrifices himself to create the world. Below we see the world tree growing from his chest or navel. Hugh was connected heavily to Cosmic Consciousness even earning the honorific 'Stargate King' in "Following Hugh Jackman Through the Atlantean Stargate".
    Izzy explains that First Father's head was placed in the heavens becoming Xibalba. Xibalba, portrayed in the film as a Nebula, is also to the Maya the dark rift near Galactic Centre. This dark rift was often envisioned as a road or gateway, thus synonymous with the Stargate.
    In the climax of the film our hero (Horus) looses his ego at the end of 'the road to awe', transcending time and space, achieving cosmic illumination while becoming one with Xibalba and First Father. This personal journey towards the Stargate is exactly the collective process humanity is symbolically undergoing as we head to 2012.
    The symbolism and sync winks have there own life and intelligence apart from the human creative minds who use them and their own personal intent. You would be hard pressed to convince me Darren Aronofsky who made "The Fountain" and the creators of "The Mummy" series have any conscious awareness of how there symbolism both cross reference each other in regards to Galactic Center.
    Izzy (Weisz in The Fountain) on far left and dirigible pilot Izzy (Shaun Parks) on far right. Thanks to my friend Nick for the great lead!

    Our first synchromystic bleed through between "The Fountain" and "The Mummy Returns" (released in 2001 the 911 Mega Ritual year) happens when we learn that the pilot enlisted to transport heroes Branden Fraser (Rick) and Rachel Weisz (Evelyn) is called Izzy (actor Shaun Parks). Weisz is called Izzy in "The Fountain" meaning we have two Izzys flying past Giza (our K2 map) on their way to the Scorpion King in this dirigible below. In the Tunney Tribute part 1 we see Fraser interact with Tunney 'The Stargate Queen' in "Encino Man".
    Weisz character is having strange dreams and flashbacks of a previous life, events Fraser points out as having started on the Egyptian new year symbolized as a Scorpion. Remember that Galactic Center is located right by the arrow of Sagittarius and stinger of Scorpio?
    In the climax of the film the Golden Pyramid capped with a giant scorpion is scaled by Weisz. Lets get this straight, as Izzy in "The Fountain" she explains the journey of cosmic consciousness through the Mayan Galactic Center symbol systems to Stargate King Hugh Jackman, but not before climbing Scorpion topped pyramids while journeying past Giza in 2001?! I might as well leave it there and retire!
    But wait, not as if it needed to get any more suc'sync't but lets note just who exactly she is in her previous life. Nefertiri (see still below), an obvious play on Nefertiti, wife of Hyksos Pharaoh, worlds first monotheist, Chief Architect Mason and probably freakin Moses himself, Akehnaton! Akhenaton was major player in the development of religion and consciousness, thus like Crowley, Jesus and Buddha a key Stargate realizer of the human species. As Moses he enacted the great shift of worship through Aries rather then Taurus, taking into account the procession of the equinox.
    As pointed out earlier Dwayne "The Rock" Johnson plays Jericho Caine (Boxer Santaros) in "Southland Tales". He also shares screen time with Weisz in "The Mummy Returns" as the Scorpion King, this would spawn "The Scorpion King" film itself.
    Scorpions resonate the Stargate as Scorpios stinger shares the night sky with Galactic Center - including here Weisz amazing Stargate resonance she ads by association in "The Mummy Returns' - "The Rock" becomes a large resonator of cosmic consciousness himself.
    In keeping with this theme we note that Jericho Cane in "Southland Tales" is a time traveler, seen below encountering his double from another time line. Time travel is a Stargate metaphor, giving as then a composite 'Scorpio Galactic Center Signifying King' who travels through Stargates.
    As Jericho Cane is also the name of Arnold Schwarzenegger in "End of Days" we can synchromystically connect our 'Stargate Scorpio King' with Christnegger. (See Tunney Trilogy for Christnegger details)
    Arnold - the time traveling Terminator - as Jericho Cane interacts with 2K and Robin Tunney (above) and is himself one of the strongest cinematic Stargate resonators known. Keeping in mind the Galactic Center and Zodiac (remember Tunney's 'Grid Page' "Zodiac" sync wink?) context we have already found with Jericho Cane in his "The Rock" incarnation, please view the astrological flavored Arnold sync below..
    Arnold becomes Sagittarius (The Archer (also somewhat Orion the hunter)) in "Predator" as he fights back against the iconic chameleon (cloaking) reptilian alien (cosmic consciousness). As mentioned Sagittarius' arrow points towards Galactic Center or the Stargate. Arnold our Stargate Jericho Cane shoots his arrow at the 'alien other' from outer space, a veiled serpent and kundalini echo of Being beyond form.
    Galactic Center as reptillian "Predator" alien reminds us of the Cosmic Frog deity eating or regurgitating First Father (Hugh Jackman in "The Fountain") on "Izapa Stela 11", further even the Ketu/K2 serpent tail.
    In the animated "Flushed Away" Ian McKellan voices the villainous "The Toad" who tries to capture the heroes Hugh Jackman (Roddy) and Rita (Kate Winslet) with his tongue.
    This is absolutely perfect and suc'sync't symbolism of Galactic Center synchromystically bleeding through into film. Hugh Jackman who is First Father in "The Fountain" having to avoid being swallowed by a toad! In the image below we are looking from inside The Toad's mouth (Galactic Center or the Stargate) as the tongue is attempting to capture The Stargate King or First Father. Humanity being swallowed by cosmic consciousness.
    Will Smith was involved with 2K noting his song "Will 2K" and his residence of '11 11 Washington' in "I am Legend" in the last synchromystic video "Midnight on The Island of Atum". We see Will as Agent J (Jay) co-staring with Tommy Lee Jones as Agent K (Kay) in "Men In Black". Agent K (Kay) is exactly how Jones is credited at the Internet Movie Database "Men in Black" page making him somewhat 2K resonant.
    Note the 2 pyramids formed over the New York skyline by the negative space of the two MIB's legs. Someone highlighted this poster and the pyramid sync wink recently, I cant remember where. Thank you, who ever you are...

    This 1997 "Men in Black" poster sees our synchromystic Agent K (K) standing beside the twin Pillarmids of the 911 Mega Ritual.
    Agent K is swallowed during the films final confrontation by a cosmic consciousness or a Stargate resonating bug type alien.
    Thanks Paul for the help with the MIB still.

    This sync occurred to me one morning a few days ago while lying awake in bed. Not 50 minutes later I log on to Michael's great Gosporn site and proceed to read about the cosmic consciousness symbolizing human swallowing antics of alien plant Audrey 2 in 1986's "The Little Shop of Horrors" film. (See "The Little Shop of Miracles" article). He even mentions the Agent K alien swallowing scene I had thought about just minutes earlier.
    Is this due in part to the increasing alignment of our sun with Galactic Center on 21 December 2012, causing in this case synchronicities about Galactic Alignment itself? Are we consciously heading for a 2012 Maya Mega Ritual, 911 plus foreknowledge?

    I hope your mind, as mine does, boggles...

    Thursday, May 8, 2008

    911 Hip Hop

    Confession time:
    I am loath to admit this folks but the truth in the end can only liberate, disentangle knots in consciousness, heal cognitive dissonance... Here we go, I only got around to watching "The Lone Gunmen Pilot Episode" last night. After 2 years of researching almost any vaguely interesting WTC pop culture reference the spirit moved me to view this classic 911 sync wink for myself only yesterday.
    In the Chris Carter (a 'dirty' KK) created series' first episode, aired March 2001 we see the 3 geeks, conspiraloons and computer hackers uncover a government (small faction) plot to hijack a plane, blame it on terrorists and remote fly the thing into the WTC (Pillarmids). This in an attempt to sell arms and justify attacks on rogue nations.
    The scenario basically reflects verbatim the standard conspiraloon* Alex Jones type interpretation of what happened a few months later on September 11Th 2001. I suppose if pressed a share this basic view. I suggest however through the 911 Mega Ritual concept that the symbolism of the Twin Towers/Pillars/Pyramids and Pentagon/Pentagram point towards occult significance behind the choice of targets as well. For the most part I subscribe the effects and intricate elegance of the 911 Mega Ritual to the conscious universe and non-local intelligence embedded in the fabric of space/time. The Masonic flavored pillars and pentagon (present in practically any lodge) decodeable from the major targets of 911 does justifiably raise a few eyebrows and suspicions, but there are many ways of interpreting these elements...

    *Conspiraloon in my mind is practically an affectionate title. I imagine in many peoples world view synchromystics are hard core conspiraloons. I would disagree as the more conspiracies I digest the less paranoid I become.
    The clarity of of this sync wink drives many to suspect the shows writers of somehow having foreknowledge of 911. The whole affair being explained as an elaborate government psy-op or going even further into paranoia, believing it to be a display of supernatural (what ever that word means!) occult power and intent.
    I certainly couldn't categorically rule out any of that stuff but see no reason not to attribute it far more pleasantly - while resounding with a lot less neurosis - to the very interconnectedness of all things, the very phenomena charted by synchromysticism.
    In this model, Being or the no-thing beyond from, animates and is all we perceive, making itself known through the language of synchonicity and our attention. As talented creative artists tap into the source of all, the source of creation and creativity being the same no-thing, by necessity they would access and manifest great mystery. The very act of creation depends on allowing the source (consciousness itself) to flow through oneself. I whimsically call this opening the Stargate of Cosmic Illumination.
    The really telling and fascinating dynamic at play in "The Lone Gunmen Pilot" is that the very creative narrative itself, accessed through the Stargate of Cosmic Illumination by the shows writers, is a foreshadowing of what I call the 911 Stargate Mega Ritual or the symbolic opening of humanities collective Stargate through the Pillarmid portals (WTC). It actually makes allot of sense that a key Stargate event (consciousness realization) of humanity would be picked up by our artists, openers of the Stargate of Cosmic Illumination. As frequent synchromystic readers/viewers would know our popular media is littered with pre-cognitive references to the destruction of the WTC. Could it even be otherwise? How would the 911 Mega Ritual be the massive consciousness altering force if it didn't interact with our consciousness in amazing ways? In fact it is only through the consciousness altering 911 Mega Ritual, speaking through these words and synchronicity, that your current awareness can even recognize what I am talking about! That is simply because you are the very force which moves/moved through the 911 Mega Ritual Stargate and animates my writing right now! How could YOU be here and now if you didn't already know this?

    The clarity of of this sync wink drives many to suspect the shows writers of somehow having foreknowledge of 911. Consciousness waking up inside me and you as we read/write this is all and knows all.

    Wow, that was fun. But its not all fun and games (yea right!) time to get to work.
    A pivotal plot point sees the introduction of the Octium 4 chip, which eventually helps our heroes save the day. Oct or 8 resonates octagon a polygon often found in connection with Stargate sync winks and 911. The oct also connects back to Giza and one of the original pillars, the Great Pyramid.

    The Octagon Maat website suggests a very interesting octagonal layout for Giza fitting all three major pyramids, snug. Could the octagon be the basis for the Giza layout?
    The great pyramids '4' sides are also in actual fact concave, in reality making it 8 faced and sided. This all being echoed suc'sync'tly by the esoterically intimately related Dome of The Rock, the site connected to Solomons Temple, a structure possibly evolved from Giza.
    Squaring the circle is the Freedom Tower, growing like the phoenix out the ashes of the the Twin Pillarmids on the island of Atum (Manhattan). This thing, as seen from above, is octagonal....
    The Lone Gunmen uncover the exact government operation about to be implemented, involving airline hijacking, Scenario 12D.
    O.K. deep breath, I'm going to flip that to D12 instead, now don't panic. Being, unlike the human mind, doesn't place things in strict categories and rigid prisons, 12D/D12 is as closely resonating of each other as can be imagined. We are investigating the meta-mind of our own consciousness itself through following synchronicity. Our noisy minds with their beliefs and opinions is not synchromysticism's concern.
    Hip Hop (HH) band D12 entrain with the 911 Mega Ritual and Stargate themes in general. There debut album "Devils Night" was released in June of 2001, the Mega Ritual year, and most famous member Eminem has been sighted before in post AHA, MM is also K2! Marshal Mathers "Eninem" or MM is 2000 in roman numerals, thus resonating 2K.
    D12 is known as the "Dirty Dozen" which is a classic 1967 war film directed by Robert Aldrich. Now it gets really interesting as we note that Aldrich also directed the original 1974 "The Longest Yard" with Burt Reynolds.
    Look at the image of the the film above with Reynolds' fingers gripping the ball with 3 fingers per hand showing. This is the same setup as the 2004 "D12 World" album cover above.
    We see a similar thing happen with the remake poster as Adam Sandler's fingers grip the football, left side 3 showing. Linking back to D12, the band itself, minus Eminem, act in the 2005 "The Longest Yard" along with Sandler.
    The group (without Eminem) appear in 2005's The Longest Yard credited as "Basketball Convicts". D12 Appearances in film Wiki

    Adam Sandler was much discussed and associated with the 911 Stargate in Opening the Stargate via Adam Sandler.
    In "Click" Sandler uses a remote control to open a Stargate.
    It whisks him away teleporting him through time and space (a visual Stargate metaphor as time and space are purely mind made) only to arrive at Twin Freedom Towers/Pillarmids resonating the 911 Mega Ritual.
    Another film based on Robert Aldrich's "The Longest Yard" is 2001's (Mega Ritual year) Mean Machine.
    Mean Machine gives us another MM/2000/2K. (Why am I going on about K2? See videos like Why 2K?)
    I remember Goro Adachi highlighting this Steven Spielberg 2005 "War of the Worlds" poster and its 3 alien fingers as, in his view, associated with World War 3.

    I see World War 3 or WW3 being likely the World Wide Web and its implied massive battle for the shape of our consensus reality (see WW3 Stargate Mega Ritual).
    Without knowing it we are engaging in a opinion 'tug of war' for what constitutes the parameters of reality through the new media and communications technology provided by the massively interconnected emerging online meta-mind.

    The "WE3" spinner gives away this potential as W rotated can become M or 3. Again, we need not imagine Being having any barriers when it comes to sync winks.

    I would interpret the Martian alien hand as any anthropomorphic 'other' - such as Deity or Ancient Astronaut - simply cosmic consciousness or awareness of awareness beyond form.