The monolith's, from both the "2001" film (lately also the Kirby comic book) and the 911 Mega Ritual (as the Millenuim Hilton Hotel), elements rearrange, but acquire some telling new context in "Revenge of the Living Monolith" a 1985 Marvel graphic novel. See Illuminati Propeller Heads for its first synchromystic mention.
The Monolith has entered the sync web in other fascinating ways, one such being the cloaked hideout of a Khan in the Alec Baldwin starring "The Shadow". A cloaked New York Art Deco building called the Monolith ties in very well with the 911 Mega Ritual as basically all space/time anomalies are Stargate resonators in this bloggers mind. Much more context about this sync in videos "Why 2K:2" and "Island of Atum". .
In "Revenge of the Living Monolith" the Pharaonic Monolith's henchmen abduct the Fantastic Four (created by Jac(K K)irby) with a pyramid shaped teleporting Stargate who's 'capstone' penetrates the structure.
The Monolith tears out of a jet (below), having freshly arrived from Egypt. As I currently consider the 911 event to be a reenactment of historic events connected to ancient Egypt and beyond, going so far as to dub the Towers pillarmids (pillar/pyramid symbols), the ultimate goal of which is to initiate the final stage of consciousness realization (the ultimate collective Stargate opening) the event itself being dubbed the 911 Mega Ritual, these depictions sync up flawlessly. We have thus far seen a Pharaonic Monolith (a Stargate symbol) arriving by plane and teleporting pyramids atop Manhattan skyscrapers!
Like so many beasties before (King Kong) and after (Cloverfield) the Monolith reenacts 911 by destroying Manhattum (see Aferrismoon's "Eye Can Dee" and the video "Island of Atum" for more on Manhattum) landmarks including the WTC pillarmids.
Our A.W.O.L. island defenders (FF 4) leave a vacum that has to be filled by...
Captain America (co Jac(K K)irby created) is called in to assemble the heroes to save the city and the FF 4. The only panel inside the book (apart from the cover) showing the Twin Pillarmids sees a speech bubble yelling over the skyline "And That's it in a nutshell, Cap". The nut refrence is its own important subject, needing to be explored more shortly, for some context read "Nuts".
The possible 'Kirby King Kong sync' pictured above.
Captain America has been connected to the Towers and Stargates in numerous amazing Kirby related syncs this past week at "The Blog" (here and here) and at "The Secret Sun" (Mindbomb 1, 2 ,3). My favourite Christopher Knowles finds being his Zero Street panels from Kirbys "Captain America Night Poeple" (a story arc directly following "Madbomb" (possible WTC King Kong pose) I believe).
You see, the Night People had their own Mega Ritual, transporting their asylum on Zero Street to another dimension, along with a healthy chunk of Manhattan's bedrock. Zero Street is now a fenced-in Ground Zero, its native soil replaced with alien atoms. (The Secret Sun Mindbomb 3)
And another great Secret Sun Sync, Captain America emerging from a Stargate (above) mirroring the 'Madbomb WTC pose' seen on the advertisement on the left (close up below). 
Considering this Stargate/911 context connected to Cap, how cool and concise then, to see him battling a giant Pharaoh called the monolith, in Manhattum?
Both Captain America and Thor display there connection to the deities of ancient Egypt through the wings on the side of their heads, just like Thoth descended Mercury (think of the wings on Flash's feet). Sculptures like the seated Khafra (below) show the protective wings of Horus on the sides of the 'god on earth' the Pharaoh. It is easy to see how this symbolism has worked its way into our current deities, super heroes (and the closely associated movie 'star' actors).
Thor (co Jac(K K)irby created) is also involved with WTC pillarmid destroying the Pharaoh Monolith. His connection to ancient Egypt and Thoth made possibly even stronger through his hammer.
In Ralph Ellis' "Tempest and Exodus" we learn of three ways of writing Djeheuti (Thoth).
One variation includes what Ellis believes is the Axe, displaying quite probably the deities often attributed association to Metrology.
"In affect, the axe symbology of the Minoan and Egyptian gods was most probably derived from the concept of the divine being cutting the perfectly proportioned stone block from a rough ashlar; which is yet another masonic metaphor." p131 Tempest and Exodus
The visual and 'masonry shaping' connections between both Axe and Hammer feels obvious.
Thor has been spotted interacting with WTC pillarmid destruction themes in another comic context, "Damage Control".
Yet again a giant monster (of transforming robot variety) attacks Manhattum, coming to rest and damaging the Twin Towers. A character called Robin is referred to on the same panel as this precognitive pre-911 scene. If you assume I believe this is entraining with the K2 mountaineer, bride of Christnegger and Stargate Queen, the lovely Robin Tunney, you would be correct. (See Tunney Trilogy and Comic Book Cycle for more context)
The mighty thunder god gets a visit from Isis, Osiris and Horus in a 1975 Thor comic. 
They simply pop out from underneath the city streets in a giant pyramid, now (in sync with the pillarmid theme) sitting amongst the buildings of New York.
Helicopters fly around its summit much like the real life pyramid destruction event of 911. (See Illuminati Propeller Heads)
After sorting out this pyramid disturbance, Thor flies of past the real life equivalent of what would be witnessed (elements just slightly rearranged) during the 911 Mega Ritual.
Warning major "Marvel 1602" spoilers to follow:
In Neil Gaiman's 'vibrating with syncnificance' "1602" we learn that Thor is no less then the legendary treasure of the Knights Templar. 
This makes even more sense now, given the masonic (Djeheuti/Thoth flavoured) influence connected to his hammer.
Not to be syncrhomystically outdone by Thor, Captain America (in 1602 as Rojhaz (below)) is unveiled as a time traveller (Stargate jumper) from the future.
Captain America thusly gains even more heavyweight syncnificance, as a Jac(K K)irby World Trade Centre disaster precognitive juggernaut, now in close proximity to Templar/Masonic themes and Stargates (not to mention being a Mercury/Thoth resonator himself!).
Warning, major rant alert!
As masonic themes (and Freemasonry) are closely interlinked with the Stargate (consciouses becoming aware of itself), being in many cases custodians of access to such knowledge (and its historical development/growth) it should seem no surprise to see traces of masonry in ones environment and pop-culture when dealing with esoteric issues. Secret societies and fraternal orders by there very occult nature and interaction with the 'birthing consciousness' (the Stargate) will entrain with symbols and themes ever present in the process of realization of consciousness beyond mind/matter. To see these symbols and themes as pointing towards the orders themselves (and individual members or groups of members inside these groups) and their often petty goals is "putting the cart in front of the horse". Believing a conspiracy embedded in media and culture because of the presence of the symbols of the Stargate (a potentially healthier pointer towards the guiding force behind everything, including fraternal orders) seems to be a fear based attachment to thought or form (ego). I have myself been firmly hypnotized by such fear based paranoid B.S (belief systems or bullshit), convinced 911 was a Freemasonic conspiracy to enslave our minds while contacting there alien creator space god (all workable metaphors or pointers towards the 'truth'). Now I believe the intelligence at work behind 911, no matter who the actual perpetrator, is the same intelligence that grows an apple and animates every moment of the mysterious adventure called 'this infinite moment' or 'space/time' (NOW). Don't take my word for it, just follow synchronicity and listen to its message, beyond your personal desire to interpret its meaning... 
Namaste
