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    Sunday, February 24, 2008

    Opening the Stargate Via Adam Sandler

    New Adam Sandler flick sees 2 amazing syncs, right of the bat, simply with it's title design. The ZO/OZ has stolen focus from the related KK (as Crowley climbed K2) for now (see Rant In Z-Minor). OZ connects to Crowley through Liber 77/OZ and we see the ZO including one of the three "Book of the Law" 'Grid Page' elements, the Stargate target inside the O, present on the "You Don't Mess With The Zohan" title. (Thanks eLLUMINATI BLOG for article highlighting the target..)
    We have seen this very configuration on the 2005 Robin Tunney "Zodiac" film poster, ZO and Stargate target inside O, this incident including also the diagonal line and grid, present on the "Grid Page".
    This no doubt to anyone new to synchromysticism or this particular theme must seem like a pointless jump of logic. Why would the "Zodiac" film poster have anything to do with Crowley's "Grid Page"? The logic of comparing anything perceivable similar with anything else is perfectly sound, it's just very alien to the mind conditioned by consensus paradigms. If your still resistant to the idea (as I was) I can explain briefly the causal chain that lead to the discovery of the "Grid Page" elements on this particular film poster which might help your mind see the relevance. I doubt I will convince the true sceptic, you already have to pretty far down the path of dis-identification with orthodox reality maps to even be reading this sentence.
    I got interested in Robin Tunney because she climbs K2 just like Crowley in the 2000 (2K) film "Vertical Limit". Just peeling away the outer layer of her syncronistic entrainment (synchronization) possibilities with other facets of Crowley and the Stargate bore such amazing children that I have developed a 'special fondness' for her, some vulgar types might call it a school boy crush. Crush!, cant a person watch every film an actress every made, dissecting it for symbolic significance and writing about her every week for months on end without being called names, the nerve of people...

    One fine example being seeing her in frame (this in my mind having stronger syncnificance than when the camera cuts from one thing to another) Zebra striped, with a Crowley type 'Magick' book ("Magick in Theory and Practise?") in "The Craft".

    The physical aspect of the mind of God (the sync web) does not file things away in discreet packages and categories like the human mind. Anything is relevant to everything and anything connects with everything. By removing the barriers of mundane context and following syncs you can get a sense of the shape of the neural pathways emanating from God (which is the no-thing beyond form and thought), plotting the course of anything as it moves through the sync web. Using synchronicities to follow a facet of the Universal Mind, like the aspect 'Crowley's Grid Page', leading towards and becoming the "Zodiac" poster, through the unifying Robin Tunney, we gain fresh insights from the newly associated context as the original shape of the aspect is rediscovered rearranged in a new form.
    We have connected Adam Sandler to the Grid Page/"Zodiac" sync web through the ZO and target symbol on his new film "Zohan". We can see him with the 911 Mega Rituals Pillarmids (towering pillar and pyramid resonators) on 2000's (2K) "Little Nicky". The dog resonates god (as anagram) which can be understood as Being/no-thing which has moved into humanity through the 911 Stargate. The ZO/OZ has been found directly connected to the Pillarmids in "The Wiz" (image below), placed on the Sphere sculpture which stood in a fountain in front of and betwixt 'Solomons Temple's' portal.
    Little Nicky is the child of Satan (Harvey Keitel), meaning he, like Aleister Crowley, resonates 'The Beast 666' (note 666 in T-Shirt on Metalhead above). He travels trough a Stargate (any space/time distortion) from Hell to Grand Central Station on the Island of Manhattum (Manhattan as symbolic mound/benben of atum). Manhattum was the setting of the 911 Mega Ritual (September 11th events) the most vivid planetary consciousness focusing (everybody paying attention and being present in the moment) catalyst of all time and the metaphorical opening of the collective Stargate of mankind.
    Sandler (our Twin Tower (Pillarmids) and ZO resenator) is pushed through Hell's Stargate by a Thoth resonating non human primate (image below). Thoth Kong was spotted atop the Twin Pillarmids (image above) resonating KK (King Kong), connectible to Jac(K K)irby and Captain America as the possible template for this particular Kong image (See King Kirby (KK) and The Living Monolith)

    A Thoth resonating Baboon (found by Steve Willner) can be seen connected to Stargates (symbols of enlightened focused consciousness/Being awakening in humanity) in a not a-typical Cronenberg tribute to human bodily excretion "The Fly". Confirming in my mind a pattern of Stargate themes connecting to non-human Thoth resonating primates (Thothmates?) for our current purposes centering on NY and the 911 Mega Ritual (consciousness focusing Stargate) through "Little Nicky" and "King Kong".

    Aferrismoon pointed out this fascinating sync (image below). NY one letter on in the alphabet reads OZ, entraining (synchronizing) with "The Wiz" and L(OS)T island OZ/ZO themes, suggesting the interchangebility synchromystically of NY and OZ.

    (OZ)zy Osbourne, the singer of Mr Crowley joins Adam Sandler (resonating ZO, Crowley, WTC) on Manhattum in "Little Nicky" strengthening the OZ/Crowley influence participating in the 911 consciousness focusing event.
    "How convenient. You know what I think, Ben? I think there is no Jacob. I think your people are idiots if they believe you take orders from someone else. You are the man behind the curtain, the Wizard of Oz. And you're a liar." John Locke "Lost: The Man Behind the Curtain" (image below). For "Lost" Island as interchangeable with Oz and Manhattan see Comic Book Cycle 5 A and B.
    In the most Oz resonating episode of "Lost: The Man Behind The Curtain" we can see the interconnected sync web (the physical aspect of consciousness) shout its Stargate message very clearly indeed.

    Samantha Mathis plays a teacher "Olivia", sporting the 'Dharma Initiative' octagonal logo. Octagons bring the overhead profiles of Giza, The Dome of the Rock and The Freedom Tower into play. Samantha is teaching her class, including young Ben (the man behind the curtain, according to Locke, thus the 'Wizard of Oz') how to make the cliche school prop, the mountain volcano. (The "Lost" octagon Stargate themes were introduced by Goro Adachi)
    In 1993's "Super Mario Bros" we see the camera zoom in on our Twin Towering Pillarmids, in another dimension, beyond a Stargate (See "A robin feathering his nest"). The one tower is destroyed invoking the 911 Mega Ritual, the other displays the double K of King Kupa. The double K resonates the K2 mountain that both Crowley and Tunney have climbed synchromsytically pointing out, in one scene, that K2, Giza and the WTC are all intimately connected.

    Zooming in, yet closer still, we see the captive prisoner, Princess Daisy, in a window right atop the Towering Pillartainamid (Pyramid, Pillar, Mountain).

    None other than Samantha Mathis, a 'Dharma Initiative' (octagon) volcanic (mountain) teacher, who passes by two K's inside the WTC!

    Our Zebra/Valis resonator (See Z is for Zebra) Stargate Queen Robin Tunney plays a teacher in the pilot episode of "House M.D". Her doctors, mystified by her ailment, refer to her as a Zebra.
    The teacher/classroom theme connects back to the 911 Mega Ritual through George W. Bush (sometimes sighted as Crowley's grandson!?). The President of the United States of America was reading about a goat, which has been connected to Pan (OZ/77) (See The 911 Stargate), in a classroom, sitting next to a teacher, with the Valis/Zebra winking at top right (image below). We can clearly see how the syncs entrain with each other, the same syncs that resonate the Stargate (OZ/KK etc) and are scattered all over the actual event and media related synchromystically to the event. Tunney as Zebra (and three times Zoe actress) in a classroom (House M.D), Samantha Mathis plus octagon and mountain (Lost) and George with Zebra (911 Mega Ritual) are symbolically equivalent, all being 911 Stargate resonators, the kaleidoscope of Being just jumbled a smidge.

    2000 (2K) Mini Series "The 10Th Kingdom" gives us a few syncs that took my breath away. The opening sequence sees Manhattan turn into a fairytale land, the buildings literally morphing into snow peaked mountains (image below). The title shot (image above) mezmerizes, the reflections of this island 'wonderland' including the Twin Pillarmids in place of a mountain!

    Later as the story unfolds we view a mirror type "Alice Through the Looking Glass" stargate (for others see "Midnight on the Island of Atum" ("The Craft" and "Gargoyles") and Rant in Z-Minor ("Return to Oz")).

    An enchanted dog/god (Being growing inside humanity) jumps through the Stargate penetrating worlds from a fairytale kingdom, through to NY (our OZ).
    The Stargate sequence is visually portayed as multiple flashing mirrors, framing the WTC! (Again, Wow!)
    The often noticed preference or particular highlighting of the South Tower can again be seen here (below). An actual tear in the fabric of space time right over this tower... (See the "Comic Book Cycle" for a few and "Super Mario Bros" KK tower already mentioned)
    Sneaky Sandler consistent with the pattern, apart from "Little Nicky", can also be seen involved in 911 Stargate themes in other films including "Reign Over Me". He plays a traumatized individual whose wife and children (plus their dog/god 'Spider') were on one of the planes that allegedly crashed into the Twin Pillarmids. We see double M's (2000 or 2K in Roman numerals) of McDonald's during the opening credits (image below).His original vocation, resonating Robin Tunney in "The Secret Lives of Dentists", was a Thoth (Tooth) resonating Dentist (see Sweet Thooth and Saber-Thoth and image below).

    Through rekindling an old friendship with Don Cheadle both 'lost souls' burn up their hang ups in the alchemical fire of friendship, much scmaltz ensues. Part of Don's 'stuffed shirt' character development includes learning to appreciate reading Captain America comics (image below).

    Captain America is a Jac(K K)irby creation and was shown connected to the "King Kong" WTC poster. Christopher Knowles at "The Secret Sun" has highlighted Captain America and his sidekick Falcon in numerous 911 related syncs (See Mindbomb 1, 3 etc). We have vivid confirmation of this Kirby pattern, emanating through the sync web, even in 911 themed films. I interpret this phenomena through the model that gifted artist like Kirby, by their very nature, open the mini personal Stargate (knowingly or otherwise) of focused growing consciousness (from which all art originates), which is connected non locally to the massive society altering Stargate and Mega Rituals entraining with and even realizing the eschaton. The ripples (non local effects) of consciousness, passing through these artistic Stargates (a union between artist and Being) influence all sensitive creative minds (by trickle down effect the rest of humanity as well), minds already entraining with the Mega Rituals and posited eschaton, the ultimate Stargate at the end of history.

    The film ends, neatly wrapped, with Sandler and Cheadle (plus love interest at far right in image below) playing "Shadows of the Colossus" (I think there is a giant Thoth type primate in this game?) eating pizza. While Colonel Sanders the KFC brand identity stares at us from the corner of the apartment. In bygone eras before mans total decent into object fetishism (thus history) brought on by the identification with thought and form (ego) you might have stood at Giza seeing the Sphinx staring at the position of some significant sun or constellation rising. Today however you can see the decaying lion, plus Pharaohs head, staring at a Pizza Hut/KFC. Even here in this seemingly pathetic image, through following the syncs, thus acknowledging the elegant intelligence present in every facet of existence (life), beautiful and profound meaning can be found. Synchronicity collapses the boundary between self and other, object and subject, the delusion of the thinker as separate from the knower. Synchronicity shows the reality of existence to be non-dual, we are as Alan Watts explained an "organism environment field".
    Adam Sandler, ZO/77/Pan connected through "Zohan" and Ozzy, WTC connected in "Little Nicky" and "Reign On Me" lives like the Sphinx in allignment with Pizza and KFC...
    Somehow, as if we needed it by now, the universe sees fit to sugar this pill. Bringing all these ellements together in no uncertain terms, witness dear reader, Adam Sandler in "Click".
    While fighting Death (or Saturn, being the planet most associated with the 911 Mega Ritual, see "Al Noah" and "Contact with Higher Intelligence and the Saturn Hexagon") played by Christopher Walken, in a graveyard, Sandler leans up against a headstone that reads "Newman" with a David Star directly above. I would interpret "Newman" as referring to the ever growing consciousness waking up in new-humanity and the star (perhaps originating from the two major pyramids of Giza, one pyramid representing triangle up and one down) symbolizing Solomon's Temple which was based on the Tabernacle which yet again in its turn was based on Giza (for clarification read Ralph Ellis' "Tempest and Exodus" and "Eden in Egypt").
    To escape the advances of Death, Sandler (as Micheal Newman) uses his 'universal remote control' to open a Stargate. Visually, on screen, this is shown as Sandler's image (including Solomons Seal (David Star)) zooming out into the blackness of sky/space as the camera pans to reveal a future Manhattum skyline.

    We are greeted by a cityscape with two octagonal Freedom Towers echoing very clearly 911. As the Twin Towers are the modern Solomons Temple (modelled after Giza) that which opened the metaphorical Stargate, the rapid acceleration of evolution and realization of consciousness, the symbolism is reflective of the 911 Mega Ritual and again synchromystically confirms the Giza connection to the WTC.

    On September 11Th 2001 the fragmented and noisy human mind was forced from all its daily activities, conditioned roles and patterns (ego). The amazing unity felt underneath the tragedy is nothing to be ashamed of, it is your true nature, consciousness free from mental noise and identification with form. Another such tragedy is not necessary to experience this feeling or phenomena. You are already this phenomena and awareness itself. 911 thusly understood can point out the inter-connective non-local meta mind or awareness that is your true nature. If you are reading this you are most likely waking up from the mental noise (i want, i need..) that keeps fooling us into believing we are isolated fragments, cut off from Universe, Awareness, Now, Consciousness, Life, God, Being. There is nothing to fear we are already exactly where we want to go and who we want to be. The realization might take 'time' to sync in....


    Some interesting synchronistic interplay between this post and Aferrismoon's "Lost" flavoured TrunKated